My Rating: 4 Stars
Pulitzer Prize–winning novelist Jane Smiley will have her first children’s book, Twenty Yawns, released at the beginning of next month. The bedtime tale is illustrated by Lauren Castillo, author and illustrator of Nana in the City, a 2015 Caldecott Honor Book. With its engaging story and warm, inviting illustrations, Twenty Yawns is a worthy addition to the nighttime arsenal of soothing bedtime stories.
We meet Lucy as she’s digging a big hole at the beach. We then travel with her as she spends a fun-filled, sunny day playing with her mom and dad and other kids by the ocean. When the day is done and it’s time for bed, Lucy’s mom starts to read a bedtime story, but after such an exhausting day she falls asleep before the story is finished – leaving Lucy wide awake. The dark, quiet house makes it even harder for Lucy to fall asleep, so she gets up to find her bear, Molasses. As she’s carrying Molasses back to bed, she looks back to see her other stuffed animals looking lonely. She drags them all to bed, and with big yawns from the stuffed animals, the moon and Lucy herself, she finally falls fast asleep.
Castillo employs soft, boldly outlined illustrations to set the tone throughout the story. With an impeccable use of color, she transitions the mood from the bright beach to the sleepy bedroom and from sleepy bedroom to spooky bedroom and back again.
Smiley’s text holds its own – painting a picture of a little girl enjoying an exciting day, then struggling to fall asleep because of the quiet, “mysterious” atmosphere that descends upon a house at night. From the opening line to the very end, you could read the story without the illustrations and still see the scene in your mind’s eye.
The combined strength of the illustrations and storytelling, plus its gentle tone, makes Twenty Yawns an excellent choice for exploring the theme of nighttime fright with a child. And it’s enjoyable to read.
Diversity in children’s books is a hot topic right now, and rightfully so. The We Need Diverse Books™ organization makes the case that all children should be able to find books that allow them to see themselves in the story. The fundamental story in Twenty Yawns could be any child, but the illustrator, writer and publisher have done a great service for our culture at-large by simply making the family in the story bi-racial. Kudos!
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